Tag Archives: BP Shakedown

With ‘The 21st Century Trad Band’ comes yet another Marsalis

by Dan MacIntosh
axs.tv
November 3, 2014

If you think the Marsalis family line ended with trumpeter Wynton and saxophonist Branford, you’re wrong because vibe play Jason Marsalis – the youngest sibling – has just released his second Vibes Quartet recording, The 21st Century Trad Band, on Basin Street Records. It’s the follow up to 2013’s In a World of Mallets, which made it to number 1 on the JazzWeek radio charts. This new effort continues the collaboration between Marsalis and his band, which includes Will Goble on bass, Austin Johnson on piano and David Potter at the drums.

The album includes tracks like “Offbeat Personality,” which features a complex arrangement that mixes hard-swinging with melodic segments, as well as a few unexpected turn-arounds and a quiet intro. “The Man with Two Left Feet,” on the other hand, matches traditional jazz elements with a more contemporary feel. It shows what happens when a band is able to log many miles and years together prior to recording together.

Marsalis incorporates a wide variety of instruments on this release, including marimba, glockenspiel, tubular bells (remember The Exorcist theme?), vibraphone and xylophone. One track is even a bit of an off-kilter blues workout called “Discipline Meets the Offbeat One.”

This album once again includes compositions from Marsalis’ band mates, but also features some works by fellow New Orleans musicians. For instance, Cliff Hines’s “Interzone” is included, as is Jason Weaver’s “Blues for Now.” Both men are graduates of the New Orleans Center for Creative Arts.

Marsalis also gets a little social/political on one track, “BP Shakedown,” which is obviously inspired by the BP oil spill. A further sonic exploration is “Nights in Brooklyn,” which takes on film noire sounds.

Marsalis has already received high praise from other respected musicians. Banjoist Bela Fleck, for example, noted Marsalis’ “brilliant ideas that sound as if he’s played them his whole life, but are really coming off the top of his head.”

Although trumpeter Wynton is the most famous member of the family, his father, Ellis, is also a respected play. Brother Delfeayo Marasalis is a trombone player and producer. Wynton is a teacher and music educator, in addition to a composer and player. Anybody that’s ever seen him perform live has experienced his teaching skills — he loves to talk jazz history. He is also Artistic Director of the Jazz at Lincoln Center in New York City. Over the years, he’s won nine Grammys – in both jazz and classical music. In fact, one of his recordings was awarded a Pulitzer Prize, the first of its kind. Now, Jason is making a bold entry into this amazing family tradition.

Editors’ Picks: November 2014

by Bobby Reed
Downbeat
November 1, 2014

As the album title The 21st Century Trad Band suggests, Jason Marsalis’ quartet mixes modern-day sounds with traditional ones. The title track includes a quote from the most traditional of tunes, “When The Saints Go Marching In,” while the song “BP Shakedown” begins with a recording of Rep. Joe Barton’s comments on the federal government’s response to the 2010 oil spill in the Gulf of Mexico. Marsalis, who topped the category Rising Star–Vibraphone in the 2013 DownBeat Critics Poll, has surrounded himself with fantastic musicians: pianist Austin Johnson, bassist Will Goble and drummer David Potter. Some of the album’s tracks feature the so-called Discipline Ensemble—Marsalis on marimba, glockenspiel, tubular bells, vibraphone and xylophone—but this is truly a band effort. The quartet has fashioned a strong album with an appeal that extends beyond the thrill of hearing a master of the mallets at work. One section of “Ratio Man” shows just how killer this band can be as a trio (when Marsalis isn’t playing). Marsalis’ tune “Nights In Brooklyn,” which has the feel of a film-noir soundtrack, features Potter’s supple brushwork and Johnson’s gorgeous piano lines. This album showcases Marsalis’ command of the vibraphone’s melodic and percussive qualities, as well as the leader’s eagerness to share the spotlight with his fine collaborators.

Jason Marsalis (@JasonMarsalis) Vibes Quartet ‘The 21st Century Trad Band’ Album Out Now + LIVE on Tour!

by RJ Frometa
Vents
October 28, 2014

Jason Marsalis, the youngest of New Orleans’ Marsalis jazz dynasty, has released his second Vibes Quartet offering, The 21st Century Trad Band, today via Basin Street Records! The follow-up to 2013’s In A World Of Mallets, which hit #1 on the JazzWeek radio charts, The 21st Century Trad Band puts a spotlight on the growing synergy between the young & talented musicians consisting of Jason himself, Will Goble on bass, Austin Johnson on piano & David Potter on drums. For a taste of what to expect from the album, the Jason Marsalis Vibes Quartet previously unveiled cuts “The 21st Century Trad Band” & “Ratio Man.”

With songs on the album like “Offbeat Personality” Marsalis takes us on a journey through a complex arrangement combining hard-swinging sections with more melodic interludes, unexpected turn-arounds, and an introspective outro. While songs like “The Man With Two Left Feet” and the titular track play with the trad jazz idiom in a contemporary modality. What’s clear throughout the album is the developed control the band has cultivated through further years of playing together; the unspoken communication is evident.

As with previous albums, Marsalis continues his “Discipline” series accompanying himself on a variety of mallet-based instruments including Marimba, Glockenspiel, Tubular Bells, Vibraphone, and Xylophone, further establishing his voice as a mallet-player with the off-kilter blues of “Discipline Meets the Offbeat One” and several interludes with unusual rhythmic patterns and meters.

In addition to including original compositions from his band mates, Marsalis has taken a step further in encouraging the vanguard of the next generation of jazz by including compositions of the young New Orleans musicians Cliff Hines (“Interzone”) and Jasen Weaver (“Blues for Now”), both graduates of the New Orleans Center for Creative Arts.

The shear amount of music, seamless interludes, and a track reflecting on the BP Oil Spill, “BP Shakedown” are testaments to Marsalis’ serious nature towards his work. But just as he touched on playful, uncharted territory with In A World of Mallets’ “Ballet Class” he explores a film noire theme with “Nights in Brooklyn.”

Banjoist Bela Fleck has praised Marsalis for “brilliant ideas that sound as if he’s played them his whole life, but are really coming off the top of his head.” The NEA Jazzmaster stated himself that his last record was “the beginning of a new chapter.” It’s clear The 21st Century Trad Band is a continuation of that chapter, and it’s full of those “brilliant ideas” for which the bandleader has become known.